SELECTED WORK
Production leadership shaped by years on real sets.
My work spans producer-led branded and commercial projects, event production, documentary storytelling, live sports, and major television environments. I bring the same thing to each: clear ownership, strong creative judgment, and a practical understanding of how the work gets made.
TELEVISION & BROADCAST
Selected work across Netflix, HBO, NFL Films, HGTV, ESPN, Food Network, and more.
Before moving deeper into production leadership, I built much of my career in hands-on television and field production roles. That experience still informs how I plan shoots, communicate with crews, and make decisions under pressure.
Netflix — King of Collectibles, Season 1
Camera Operator / Camera Assistant
HGTV — Farmhouse Fixer
Camera Operator / Director of Photography
Oxygen — Philly Homicide
Camera / Drone Operator
More broadcast experience
Additional work includes HBO productions, longtime NFL Films game-day production, and projects across ESPN, Food Network, and many other broadcast environments.
PRODUCER-LED WORK
From creative brief to final delivery.
Reflekta — Kelsey’s Story
Producer / Director / Editor
The Philadelphia Orchestra
Producer / Director / Editor
CASE STUDY
CES: multi-format production on a compressed timeline
For a major CES production, I led a roughly $60K project with less than a month of lead time. The assignment combined a recap film, walk-and-talk content, product coverage, subject-matter-expert interviews, headshots, candid photography, and product stills.
I assembled the camera, stills, and editorial team; managed production planning and logistics; sourced a Ronin 4D rental; and worked across producer, director, and DP responsibilities to keep the shoot moving without narrowing the deliverable list.
Scope
Multi-deliverable event production
Budget
Approximately $60K
Timeline
Under one month
Ownership
Producer · Director · DP
BRANDED STORYTELLING
Univest anniversary
A sample from a broader anniversary production focused on people, personality, and brand history. The project shows a different side of my work from CES: more interview- and story-driven, with an emphasis on finding human moments inside a larger corporate milestone.